Tumaqčï vɛ dopačïnïŋ beja:nï

uig1905_kg207-ii15_garm4 Uyghur (early, pre-modern) / [Eastern] Turki / late Chagatay 1905 Tumaqčï vɛ dopačïnïŋ beja:nï A Description of the Trade of a Fur-cap Maker and a Skull-cap Maker written description Document conforms to Pixcor v. 1.1, with orthography in Jarring Latin.

Prov 207, Collection II, 15. A description of a cap-maker's trade 2 pp. (IV), “The headings there differ slightly from the titles used in this edition. The manuscript is 36x22.5 cm “

In Jarring, Gunnar. 1992. Garments From Top to Toe, Eastern Turki Texts Relating to Articles of Clothing. Scripta Minora 2: 37-40. Kashgar Abdu Vali Akhond Arienne M Dwyer, P.I. C.M. Sperberg-McQueen U.S. National Science Foundation (Uyghur Light Verbs project, 2011-2014, Arienne M Dwyer, PI)

Jamie Albers

Gunnar Jarring Gunnar Jarring Arienne Dwyer Gülnar Eziz Gülnar Eziz Gülnar Eziz Gunnar Jarring Arienne M Dwyer Limited Access. Publication under copyright.

Source.Speaker: Abdu Vali Akhondd was employed by the Swedish Mission as a language teacher and probably as an adviser on linguistic matters in the printing office of the Mission.2 Three of his essays have been published by me earlier.3

Source.Publication: In Jarring, Gunnar. 1992. Garments From Top to Toe, Eastern Turki Texts Relating to Articles of Clothing. Scripta Minora 2: 37-40.

Tiers below do not have headers, except for the Comments tier. Before automating alignment, we will either have to delete these, or add numbers to the seg, pos, and ilg tiers (or the morphemes will be misaligned). There is only one “speaker”.

Jarring Prov. 207 Muhammad Ali Damolla and Abdu Vali Akhond. A collection of essays on life in Eastern Turkestan. Uighur. Eastern Turkistan. 20th century, early.. Lund University Library Muhammad Ali Damolla and Abdu Vali Akhond, A collection of essays on life in Eastern Turkestan. Eastern Turkistan, 20th century, early, Uighur These essays were made at the instigation of Gustaf Raquette during his time as missionary-surgeon in Kashghar, probably around 1905-1910. The author of the essays of the first collection is one Muhammad Ali Damolla. The author of the essays of the second collection is one Abdu Vali Akhond. The essays were evidently intented for Raquette's Eastern Turki Grammar, P. 3 which contains an Eastern Turki-English Vocabulary and for his English-Turki Dictionary (Lund 1927). Excerpts from these essays have no doubt been included in the above mentioned two works, but the main part of the word material contained in them has never been published. Annexed is a plan in Swedish in Raquette's hand which indicates that his intention was to have Abdu Vali Akhond, or some other Mulla, write further essays of the same kind as those registered in the ms. In this plan the contents of the missing numbers AV 37-38 and AV 40-51 are indicated. The total collection consists of 169 leaves of which 117 in Collection I and 52 in Collection II; Cf. Jarring in Scripta minora 1990-1991:3, 1991-1992:2, 1992-1993:1, 1997-1998:2. Physical description Support:paper, brownish, Russian made, with water marks in Cyrillic letters; annexed plan yellowish, ruled paper Extent: ff. 169 + 16 ; 360 x 225mm. Decoration Binding The ms. is not bound. Foliation The ms. is foliated by cataloguer in 2005. Condition Poor History Origin Provenance The whole collection was presented to Gunnar Jarring in 1970 by Mrs Hanna Raquette, wife of Gustaf Raquette. Acquisition The ms. was part of the Jarring collection of Eastern Turkistan manuscripts donated to the Lund University Library in 1982.

2012-11-29 Gülnar Eziz

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Tumaqčï vɛ dopačïnïŋ beja:nï tʰumaqʧʰɨ vɛ dopʰaʧʰɨnɨŋ bejaːnɨ tumaqchi ve dopachi-ning béyaan-i N CONJ.CO N-GEN N-POSS3 fur.cap.maker and skullcap.maker-GEN description-POSS3 A description of the trade of a fur-cap Maker and a Skullcap maker

tumaqnï qïš ku̇nlɛridɛ dopanï jaz ku̇nlɛrideɛ kirɛrlɛr tʰumaqnɨ qʰɨʃ kʰʉnlɛridɛ dopʰanɨ jaz kʰʉnlɛridɛ kʰirɛrlɛr tumaq-ni qish kün-ler-i-de dopa-ni yaz kün-ler-i-de kir-er-ler N-ACC N N-PL-POSS3-LOC N-ACC N N-PL-POSS3-LOC Vt-AOR-3p2 fur.cap-ACC winter day-PL-POSS3-LOC skullcap-ACC summer day-PL-POSS3-LOC wear-AOR-3p2 On winter days they put on the tumaq and in summer the dopa.

~~Jarring “1 tumaq v. I, n. 51” | “2 For dopa, v. I, n. 55”~~

tumaq bir nečɛ qïsmbolur tʰumaqʰ bir neʧʰɛ qʰɨsm bolur tumaq birnéche qism bol-ur N PN.INDEF N Vi-AOR fur.cap several kind exist-AOR There are some (different) kinds of tumaq.

ɛrɛnčɛ tumaq sɛllɛ ju̇rgɛjdurɣan mollačï tumaq terɛdin etkɛn du̇mči tumaq qara duχa:vïdæ taš qïlïp čörɛsigɛ qama tutqan begči tumaq čïpar tumaq azɣïnæ qama tutqan sɛrpoš tumaq iličɛ tumaq artuš tumaqï ɛrɛnʧʰɛ tʰumaqʰ sɛllɛ jʉrgɛjdurɣan mollaʧʰɨ tʰumaqʰ tʰerɛdin etkʰɛn dʉmʧʰi tʰumaqʰ qʰara duχaːvɨdæ tʰaʃ qʰɨlɨpʰ ʧʰørɛsigɛ qʰama tʰutqʰan begʧʰi tʰumaqʰ ʧʰɨpʰar tʰumaqʰ azɣɨnæ qʰama tʰutqʰan sɛrpʰoʃ tʰumaqʰ iliʧʰɛ tʰumaqʰ artʰuʃ tʰumaqʰɨ erenche tumaq | selle yürge-ydurghan mollachi#tumaq | tére-din ét-ken dümchi#tumaq | qara duxaavi-de tash qil-ip chöre-si-ge qama tut-qan bégchi#tumaq | chipar#tumaq | azghine qama tut-qan serposh#tumaq | Iliche#tumaq | Artush#tumaq-i AJ N | N Vt-REL.IMPF AJ#N | N-ABL Vt-REL.PST AJ#N | AJ N-LOC N Vt-CNV N-POSS3-DAT N Vt-REL.PST AJ#N | AJ#N | AV N Vt-REL.PST AJ#N | Ntop.AVZR#N | Ntop#N-POSS3 male.style fur.cap | turban wrap-REL.IMPF mullah.style#fur.cap | leather-ABL make-PRTC.PST tail.style#.fur.cap | black velvet.plush-LOC outside make-CNV surrounding-POSS3-DAT otter.fur sew.on-REL.PST beg.official.style#cap | multicolored#fur.cap | a.bit otter.fur sew-REL.PST head.covering#fur.cap | Ili.style#fur.cap | Artush#fur.cap-POSS3 (First) the tumaq for men; the tumaq for mullahs around which the turban is wound; the dumči tumaq which is made of skin; the begči tumaq which is black plush on the outside and around it otter-fur; the čïpar tumaq; the sɛrpoš tumaq with a little otter-fur; the Ili-tumaq; the Artush-tumaq.

Jarring “3 ɛrɛnčɛ 'for men'; -čɛ has to be understood as 'for', in the following alærnating with -či~-čï but with the same meaning: for ɛrɛn v. I, n. 19” | “4 mollačï cf. n. 3” | “5 du̇mči P. duṃba the tail (especially of sheep); evidently a cap with a 'tail', made of skin from the tail of a sheep (the fat-tail sheep); N 454 dümčɛ~dümbɛ tail; Shirikova 185 dumbak a cap with a little tail (Tajik)” | “6 begči for begs; beg a highranking native official” | “7 duχa:vï P. du-khẉāb plush; cf. I, n. 24 and n. 58 kimχa:b” | “8 čïpar a particoloured tumaq; cf. N 406 čipar dappled, mottled, particoloured” | “9 sɛrpoš lit. a covering tumaq, a fur cap around which the turban is wound; P. sar-posh cover, lid etc.” | “10 iličɛ lit. according to the Ili fashion; Ili or Kulja, a territory in the northern parts of Xinjiang” | “11 artuš capital of the Kirghiz autonomous region to the north of Kashghar”

bulærnïŋ hɛmɛsini tɛlpɛk derlɛr bulærnɨŋ hɛmɛsini tʰɛlpʰɛkʰ derlɛr bu-ler-ning heme-si-ni telpek dé-r-ler DEM-PL-GEN QNT.DEF-POSS3-ACC N Vt-AOR-3p2 this-PL-GEN all-POSS3-ACC fur.cap call-AOR-3p2 All these caps are called tɛlpɛk.
Jarring “12 tɛlpɛk or tilpɛk cf. I, n.52”
zɛna:nlær kijɛdurɣan tumaq hɛm bir nečɛ qïsm bolur zɛnaːnlær kʰijɛdurɣan tʰumaqʰ hɛm bir neʧʰɛ qʰɨsm bolur zenaan-ler kiy-edurghan tumaq hem birnéche qism bol-ur N-PL Vt-REL.IMPF N CONJ.CO PN.INDEF N Vi-AOR woman-PL wear-REL.IMPF fur.cap and some kind exist-AOR The tumaqs which women put on are also of a few (different) kinds
Jarring “13 zɛna:nlær double plur; zɛna:n P. zanān (plur. of zan) women +T. –Iær”
su̇lɛjsu̇n tumaq qama tumaq tu̇lki tumaq su̇sɛ tumaq kimχa:p tašlïq tumaq sʉlɛjsʉn tʰumaqʰ qʰama tʰumaqʰ tʰʉlkʰi tʰumaqʰ su̇sɛ tʰumaqʰ kʰimχaːpʰ tʰaʃlɨqʰ tʰumaqʰ süleysün#tumaq qama#tumaq tülki#tumaq süse#tumaq kimxaap#tashliq#tumaq N#N N#N N#N N#N N#AJ#N lynx#fur.cap otter#fur.cap fox#fur.cap marten#fur.cap brocade#covered#fur.cap The otter-tumaq, the fox-tumaq, the marten-tumaq and the tumaq with gold brocade on the outside.
Jarring “14 su̇lɛjsu̇n the lynx; cf. RW 34, 47 silausun do.; Menges 116 sülajsün; RN 421 siläüsün Mong.” | “15 su̇sɛ su̇sɛr~su̇sɛj~su̇saj~sösɛj~su̇si marten; cf. D 1294 suusar16 kimχa:p cf. I, n. 58”
bu qïsm tumaqlærnïŋ χɛri:tlɛrini ɛndi:zgɛ sælïp qarčï bilɛn kesip jif jiŋnɛ bilɛn tikip qalïpkɛ tartïp qïltaq bilɛn tarap uzun čupurlærïnï kesip tɛjɛrlɛjdur bu qʰɨsm tʰumaqlærnɨŋ χɛriːtlɛrini ɛndiːzgɛ sælɨpʰ qʰarʧʰɨ bilɛn kʰesipʰ jif jiŋnɛ bilɛn tʰikʰipʰ qʰalɨpkʰɛ tʰartʰɨpʰ qʰɨltʰaqʰ bilɛn tʰarapʰ uzun ʧʰupʰurlærɨnɨ kʰesipʰ tʰɛjɛrlɛjdur bu qism tumaq-ler-ning xeriit-ler-i-ni endiiz-ge sel-ip | qarchi bilen kés-ip | yif#yingne bilen tik-ip | qalip-ke tart-ip | qiltaq bilen tara-p | uzun chupur-ler-i-ni kés-ip teyerle-y-dur DEM N N-PL-GEN N-PL-POSS3-ACC N-DAT Vt-CNV | N POST Vt-CNV | N#N POST Vt-CNV | N-DAT Vt-CNV | N POST Vt-CNV | AJ N-PL-POSS3-ACC Vt-CNV Vt-PRS-3s1 this kind fur.cap-PL-GEN material-PL-POSS3-ACC model-DAT put-CNV | scissors with cut-CNV | thread#needle with sew-CNV | mold-DAT draw.over-CNV | brush with comb-CNV | long long.animal.hair-PL-POSS3-ACC cut-CNV prepare-PRS-3s1 The materials for these kinds of caps are laid out for measuring, (then) cut with a pair of scissors, sewn with thread and needle, drawn over a mould, combed with a brush, and made ready after the long hair (sticking up) has been cut.
Jarring“17 ɛndi:z must be a corrupt form of P. andāz measuring, or possibly P. andāza a specimen, copy; cf. N 53 andazɛ model, form” | “18 qalïp mould, last; A. qālab, qālib, P. kālab; cf. Wulff 225 qāleb, qālub printing blocks used for each pattern; LC IV: 61 kälip Leisten; Narody 1:711 kalïb (Uzb. qolip, Taj. qolib) a wooden stamp for the transferring of a design to a fabric; for a picture of a q. v. Narodnoe iskusstvo Uzbekistana. No. 88” | “19 čupur according to SH 98 'goat's hair'; N 397 'straight long hair'. Here it must mean hair of the different furs which is sticking up, the cutting of them means smoothing the fur; Malov 1:196 čupur goat's hair of the first yearly shearing; Malov Ï: 173 (Keria, Kh.) čupur long camel's or goat's hair; Malov ÏI: 193 čupuj (r>j) long wool (e.g. goat's, yak's, camel's)”
terɛ tumaqnï tišlɛri bilɛn tišlɛp gul qïlïp tɛjɛrlɛp satædur tʰerɛ tʰumaqnɨ tʰiʃlɛri bilɛn tʰiʃlɛpʰ gul qʰɨlɨpʰ tʰɛjɛrlɛpʰ satʰædur tére#tumaq-ni tish-ler-i bilen tishle-p gul qil-ip teyerle-p sat-e-dur N#N-ACC N-PL-POSS3 POST Vt-CNV N Vt-CNV Vt-CNV Vt-PRS-3s1 leather#leather.cap-ACC pronged.tool-PL-POSS3 with grasp-CNV flower do-CNV prepare-CNV sell-PRS-3s1 They work the leather tumaqs with their prongs, lay on flowers and after having made them ready, they sell them.
Jarring “20 tiš lit, a tooth; here a tool 'a prong' (of a fork); cf. Zakharova 228 čiš an iron or cast-iron point (used in agriculture)”
dopa hɛm bir nečɛ qïsm bolædur dopʰa hɛm bir neʧʰɛ qʰɨsm bolædur dopa hem birnéche qism bol-e-dur N CONJ.CO PN.INDEF N Vi-PRS-3s1 skullcap also a.few kind exist-PRS-3s1 There are also some (different) kinds of dopas.

ɛndidʓa:n dopɛsi ɛndiʤaːn dopʰɛsi Endijaan#dope-si Ntop#N-POSS3 Andijan#skullcap-POSS3 (first of all) (there is) the Andijan-dopa.
Jarring “21 ɛndidʓa:n the city of Andijan in present day Uzbekistan”
bu dopɛni qara lɛnbuqɣæ hɛr χïl duχa:vïɣæ lɛnbuqɣæ ɛndi:zɣæ čaɣlap kesip bu dopʰɛni qʰara lɛnbuqɣæ hɛr χɨl duχaːvɨɣæ lɛnbuqɣæ ɛndiːzɣæ ʧʰaɣlapʰ kʰesipʰ bu dope-ni qara lenbuq-ghe | her xil duxaavi-ghe | lenbuq-ghe | endiiz-ghe chaghla-p kés-ip DEM N-ACC AJ N-DAT | QNT.DEF N N-DAT | N-DAT | N-DAT Vt-CNV Vt-CNV this cap-ACC black nainsook.muslin-DAT | every kind velvet.plush-DAT | nainsook.muslin-DAT | model-DAT measure-CNV cut-CNV This dopa (is made in the following way). After they have calculated (how much will be needed of) black nainsook22 and all kinds of plush for the model they cut it.
Jarring “22 lɛnbuq nainsook, v. Ill, n. 5” | lenbuq is a soft muslin (cf. nainsook Hindi nainsukh, literally: delight to the eye, from nain eye + sukh delight, from Sanskrit sukha]
basmačïɣæ tamɣu basturup gul tikɛdur basmaʧʰɨɣæ tʰamɣu bastʰurupʰ gul tʰikʰɛdur basmachi-ghe tamghu bas-tur-up gul tik-e-dur N-DAT N Vt-CAUSDUR-CNV N Vt-PRS-3s1 fabric.printer-DAT seal print-CAUSDUR-CNV flower sew-PRS-3s1 After they (have brought it) to a printer and have had it imprinted with a stamp, they sew flowers on to it.

andïn ɛstɛr kesip luχšub ka:ɣaz bilɛn piltɛ berip kezɛk bɛrkitip čörɛsigɛ dʓijɛk tutup qatlap andɨn ɛstʰɛr kʰesipʰ luχʃub kʰaːɣaz bilɛn pʰiltʰɛ beripʰ kʰezɛkʰ bɛrkʰitʰipʰ ʧʰørɛsigɛ ʤijɛkʰ tʰutʰupʰ qʰatlapʰ andin ester kés-ip luxshub#kaaghaz bilen pilte bér-ip kézek berkit-ip chöre-si-ge jiyek tut-up qatla-p PN.ABL N Vt-CNV N#N POST N Vt-CNV N Vt-CNV N-POSS3-DAT N Vt-CNV Vt-CNV then lining cut-CNV special.paper#paper with wick give-CNV long.nail attach-CNV surrounding-POSS3-DAT border hold-CNV fold-CNV Then they cut the lining,23 insert the (supporting) wicks24 with the help of luχšub-рарег25 and fasten the kezɛk,26 mount it with a border27 around it, and fold it.
Jarring “23 ɛstɛr the lining of a garment P. āstar, astar” | “24 piltɛ wick, a supporting cylinder of cotton-wool; probably A. fatīla a wick, match or fuse; cf. Narody 1: 717 pil'ta a tight cylinder of wadding inserted between the upper part of the cap and the lining” | “25 luχšub or loχšub evidently some kind of special paper” | “26 kezɛk ? perhaps 'the cut out (part of the material)'” | 27 dʓijɛk border, edging; dʓ. tut- to mount a border; cf. N 377 dʓijɛk do.; Iran.?” | kézek berkit- 'attach (paper and lining) with long nail/spike (GE)
su pu̇rku̇p iki tæχɛniŋ aralïqïɣæ ælïp töpɛsigɛ čïqïp dɛpsɛp qaturup pɛrda:z berip tɛjɛrlɛjdur su pʰʉrkʰʉpʰ ikʰi tʰæχɛniŋ aralɨqʰɨɣæ ælɨpʰ tʰøpʰɛsigɛ ʧʰɨqʰɨpʰ dɛpsɛpʰ qʰatʰurupʰ pʰɛrdaːz beripʰ tʰɛjɛrlɛjdur su pürkü-p | iki texe-ning araliq-i-ghe el-ip | töpe-si-ge chiq-ip | depse-p qat-tur-up | perdaaz bér-ip teyerle-y-dur N Vt-CNV | NU N-GEN POST-POSS3-DAT Vt-CNV | N-POSS3-DAT Vi-CNV | Vt-CNV Vi-CAUSDUR-CNV | N Vt-CNV Vt-PRS-3s1 water spray-CNV | two board-GEN between-POSS3-DAT place-CNV | top-POSS3-DAT climb-CNV | stomp-CNV be.hard-CAUSDUR-CNV | decoration add-CNV make.ready-PRS-3s1 After having sprayed water on it and having placed it between two boards and gone (climbed) up on the top of them, stamped (treaded) on them (the boards) and made them (the dopas) hard, and supplied them with decorations, they make them (definitely) ready.
dɛpsɛ 'tread, stamp, stomp' cf. MSU desse- (GE)
vɛ hɛm qælïpɣæ salædur vɛ hɛm qʰælɨpɣæ salædur ve hem qelip-ghe sal-e-dur CONJ.CO CONJ.CO N-DAT Vt-PRS-3s1 and also mold-DAT put-PRS-3s1 They also put them in moulds.

artuš šapaqï degɛn bir qïsm dopa bar artʰuʃ ʃapʰaqʰɨ degɛn bir qʰɨsm dopʰa bar Artush#shapaq-i dé-gen bir qism shapaq bar Ntop#N-POSS3 Vt-REL.PST NU N N EXIST Artush#unlined.skullcap-POSS3 call-REL.PST one kind unlined.skullcap exist There is a kind of dopa called the Artush-šapaqi.28

Jarring “28 šapaq; N 208 šapaq börk a cap (dopa) without lining; Malov II: 175 šapak bök (Aq-su) a soft skull-cap without embroideries and lining, šapak doppa (Kashg.) do.; LC I: 93 šapáq börk gestickte Mütze; Vilkuna, p. 7 plate Ï tsapak buk (čapaq burk) skull-cap sewn of four pieces of black cloth for men, Turfan; tsäpak duppa black embroidered skull-cap of the same kind for both sexes” | shapaq 'melon rind' (GE)

ɛni tört tala qïlïp tikɛdur ɛni tʰørtʰ tʰala qʰɨlɨpʰ tʰikʰɛdur eni tört tala qil-ip tik-e-dur PN3s.ACC NU N Vt-CNV Vt-PRS-3s1 it.ACC four section make-CNV sew-PRS-3s1 It is sewn in four fields.
Jarring “29 tala meaning a section of a dopa; its original meaning 'field'
bir talanï jenɛ bir talaɣæ čatïp čörɛsigɛ qara tutup tɛjɛrlɛjdur bir tʰalanɨ jenɛ bir tʰalaɣæ ʧʰatʰɨpʰ ʧʰørɛsigɛ qʰara tʰutʰupʰ tʰɛjɛrlɛjdur bir tala-ni yéne bir tala-ghe chat-ip | chöre-si-ge qara tut-up teyerle-y-dur NU N-ACC AV NU N-DAT Vt-CNV | N-POSS3-DAT N Vt-CNV Vt-PRS-3s1 one section-ACC another one section-DAT join-CNV | surrounding-POSS3-DAT black.border make-CNV prepare-PRS-3s1 (Sometimes) they join one field (section) to another field, make a border30 around it and thus make it ready.
Jarring ““30 qara a border, edge; probably a black border”
aq dopa degɛn bir qïsm dopa bar aqʰ dopʰa degɛn bir qʰɨsm dopʰa bar aq#dopa dé-gen bir qism dopa bar AJ#N Vt-REL.PST NU N N EXIST white#skullcap call-REL.PST one kind skullcap exist There is a kind of dopa called white dopa.

ɛni iki qæbɛt χa:sɛni ɛndi:zgɛ sælïp pïčïp maši:nɛ2 bilɛn tikip tɛjɛr qïlædur ɛni ikʰi qʰæbɛtʰ χaːsɛni ɛndiːzgɛ sælɨpʰ pʰɨʧʰɨpʰ maʃiːnɛ bilɛn tʰikʰipʰ tʰɛjɛr qʰɨlædur eni iki qebet xaase-ni endiiz-ge sel-ip pich-ip | mashiine bilen tik-ip teyer#qil-e-dur PN3s.ACC NU M N-ACC N-DAT Vt-CNV Vt-CNV | N POST Vt-CNV N#LVN-PRS-3s1 it.ACC two layer white.calico-ACC model-DAT put-CNV cut-CNV | sewing.machine with sew-CNV ready#make-PRS-3s1 (When making it) they put two layers of white calico31 on the model, cut it and make it ready after having sewn it on a sewing-machine.

~~Jarring “31 χa:sɛ cf. I, n.59” | “2 Here maši:nɛ, cf. I, n. 4 mašinɛ”~~

moza: dopa degɛn dopanï sekiz ja:ki on alte tala ja: bolmæsæ talasïz qïlïp tɛjɛrlɛp qælïbɣæ salædur mozaː dopʰa degɛn dopʰanɨ sekʰiz jaːkʰi on altʰe tʰala jaː bolmæsæ tʰalasɨz qʰɨlɨpʰ tʰɛjɛrlɛpʰ qʰælɨbɣæ salædur mozaa#dopa dé-gen dopa-ni sékiz yaaki onalté tala yaa#bol-me-se talasiz qil-ip teyerle-p | qelib-ghe sal-e-dur N#N Vt-REL.PST N-ACC NU CONJ.CN NU N CONJ.CN#Vi-NEG-COND AJ Vt-CNV Vt-CNV | N-DAT Vt-PRS-3s1 hat#skullcap call-REL.PST skullcap-ACC eight or sixteen section otherwise#be-NEG-COND sectionless make-CNV prepare-CNV | mold-DAT put-PRS-3s1 The dopa called moza:32 is prepared with eight or even sixteen fields or without fields, and put in the mould.
Jarring “32 moza: Chin. màozi hat, cap; N 711 moza cap; Malov 1:169 moza do.
bæzï dopalærɣæ kalavatundïn gul kesip čaplap tɛjɛrlɛjdur bæzɨ dopʰalærɣæ kʰalavatʰundɨn gul kʰesipʰ ʧʰaplapʰ tʰɛjɛrlɛjdur bezi dopa-ler-ghe kalavatun-din gul kés-ip chapla-p teyerle-y-dur QNT.INDEF N-PL-DAT N-ABL N Vt-CNV Vt-CNV Vt-PRS-3s1 some skullcap-PL-DAT gold.thread.embroidered.cloth-ABL flower cut-CNV stick.on-CNV prepare-PRS-3s1 For some dopas they cut out flowers from kalavatun,33 attach them and (thus) make (the dopas) ready.
Jarring “33 kalavatun kalabatun normally means gold or silver thread, here it evidently means cloth, embroidered with gold or silver thread; cf. further I, n. 50”
dopalærɣæ gʉllærnï mæšut3 jifi bilɛn tikip baza:rɣæ ælïp bærïp satædur dopʰalærɣæ gullærnɨ mæʃutʰ jifi bilɛn tʰikʰipʰ bazaːrɣæ ælɨpʰ bærɨpʰ satʰædur dopa-ler-ghe gul-ler-ni meshut#yif-i bilen tik-ip | bazaar-ghe el-ip#ber-ip sat-e-dur N-PL-DAT N-PL-ACC N#N-POSS POST Vt-CNV | N-DAT Vt-CNV#Vdirc-CNV Vt-PRS-3s1 skullcap-PL-DAT flower-PL-ACC silk#thread-POSS3 with sew-CNV | market-DAT bring-CNV#go-CNV sell-PRS-3s1 For the dopas they sew the flowers with silk thread and bring them to the bazaar and sell them there.
Jarring “3, in I, n. 2 (transcription)“
jenɛ bir qïsm qalpaq degɛn jazdæ kijɛdurɣan juŋdïn etkɛn bir nemɛ bar jenɛ bir qʰɨsm qʰalpʰaqʰ degɛn jazdæ kʰijɛdurɣan juŋdɨn etkʰɛn bir nemɛ bar yéne bir qism qalpaq dé-gen yaz-de kiy-edurghan yung-din ét-ken bir néme bar AV NU N N Vt-REL.PST N-LOC Vt-REL.IMPF N-ABL Vt-REL.PST NU PN.INTER EXIST another one kind triangular.summer.hat call-REL.PST summer-LOC wear-REL.IMPF wool-ABL make-REL.PST one article exist Then there is another kind (of headgear), an article34 called qalpaq35 which is worn in summer and made of wool.
Jarring “34 lit. a thing” | “35 qalpaq SH 145 a felt wide-awake (hat), worn in hot weather by travellers etc.; LC 1:94 qalpȧq Art Sonnenhut für Männer, nach Art des Hutes Napoleon I quer getragener "Dreispitzhut" aus Filz- cf D 1506 qalpaq; RN 227 kalpak
bæzïnï tört tala bæzïnï talasïz qïlædur bæzɨnɨ tʰørtʰ tʰala bæzɨnɨ tʰalasɨz qʰɨlædur bezi-ni tört tala | bezi-ni talasiz qil-e-dur QNT.INDEF-ACC NU N | QNT.INDEF-ACC AJ Vt-PRS-3s1 some-ACC four section | some-ACC sectionless make-PRS-3s1 Some of them they make with four fields, some without fields.

bæzïlærï jumulaq bolædur bæzïlærï jumulaq bolædur bezi-ler-i yumulaq bol-e-dur QNT.INDEF-PL-POSS3 AJ Vi-PRS-3s1 some-PL-POSS3 round be-PRS-3s1 Some of them are round.

čörɛsigɛ qara lɛnbuq mæχmɛl durisi bilɛn pɛva:z qïlïp učïɣæ jiftin pu̇pu̇k etip asïp qojædur ʧʰørɛsigɛ qʰara lɛnbuqʰ mæχmɛl durisi bilɛn pʰɛvaːz qʰɨlɨpʰ uʧʰɨɣæ jiftʰin pʰʉpʰʉkʰ etʰipʰ asɨpʰ qʰojædur chöre-si-ge qara lenbuq mexmel duris-i bilen pevaaz qil-ip | uch-i-ghe yif-tin püpük ét-ip | as-ip#qoy-e-dur N-POSS3-DAT AJ N N N-POSS3 POST N Vt-CNV | N-POSS3-DAT N-ABL N Vt-CNV | Vt-CNV#LVV-PRS-3s1 around-POSS3-DAT black nainsook.muslin velvet shawl-POSS3 with veil make-CNV | top-POSS3-DAT thread-ABL tassel make-CNV | hang-CNV#QOY-PRS-3s1 Around them they make veils36 with black nainsook or velvet shawls,37 on the top they hang tassels made of threads.
Jarring “36 pɛva:z Jarring 1964:227 pɛrva:z veil, here written{...}, no doubt P. parwāz Steingass 245 a veil . . . anything that covers or conceals” | “37 durisi cf. Steingass 543 dūrīsa a handkerchief (of muslin) with a downy pile, fringed at the borders- Zakharova 294 durača a kind of shawl; cf. Narody Ï: 715 durija (Kirg.) a shawl, embroidered on both sides in satin-stitch and thrown over the women's turbans; LC 1:91 düryä Art Seidenzeug aus Kaschgar; Le Coq, Li-Kitabi p. 456:467 dü’ jä do.”
tolaraq sɛfɛrdɛ ju̇rɛdurɣan χælqlær la:zɛm qïlædur tʰolaraqʰ sɛfɛrdɛ jʉrɛdurɣan χælqlær laːzɛm qʰɨlædur tola=raq sefer-de yür-edurghan xelq-ler laazem#qil-e-dur AJ=CMP N-LOC Vi-REL.IMPF N-PL XAJ#LVN-PRS-3s1 mostly=CMP travel-LOC go-REL.IMPF people-PL need#do-PRS-3s1 Mostly they are needed by people who go on travels.